Origin of Modern Aikido
Ben
It is a fun art...but there 'll come a time when you realise that a lot of the stuff, principles and all won't work on the street. I've only done a litttle Daito-Ryu, so I cannot really comment on it......it is a lot more violent than Aikido.....or at least the stuff I was shown was. there is a lot of Daito -ryu in Hapkido and other Korean arts like Kuk sul..........and that is very effective
It is a fun art...but there 'll come a time when you realise that a lot of the stuff, principles and all won't work on the street. I've only done a litttle Daito-Ryu, so I cannot really comment on it......it is a lot more violent than Aikido.....or at least the stuff I was shown was. there is a lot of Daito -ryu in Hapkido and other Korean arts like Kuk sul..........and that is very effective
The OVERLOOK MARTIAL ARTS READER Vol 2 edited by John Donohue.
Page 87
From “Abundant Peace” by John Stevens
“Morihei’s gradual ascent into the highest realms of pure ki an kokyu power had a deleterious effect on some of his later followers. In his final public demonstration, the phantomlike Morihei downed his partners by simply waving his hand or pointing his finger at them. Morihei, of course, had reached such a fluid stage after sixty years of solid training. Unfortunately many modern practitioners favour this ‘no touch’ approach, throwing each other about with a flick of the wrist or a cockeyed, off-balance toss of the shoulder. If your partner is going to fall down anyway, why worry about proper distancing, lack of vulnerability, or concentrated power?”
Page 87
From “Abundant Peace” by John Stevens
“Morihei’s gradual ascent into the highest realms of pure ki an kokyu power had a deleterious effect on some of his later followers. In his final public demonstration, the phantomlike Morihei downed his partners by simply waving his hand or pointing his finger at them. Morihei, of course, had reached such a fluid stage after sixty years of solid training. Unfortunately many modern practitioners favour this ‘no touch’ approach, throwing each other about with a flick of the wrist or a cockeyed, off-balance toss of the shoulder. If your partner is going to fall down anyway, why worry about proper distancing, lack of vulnerability, or concentrated power?”
The OVERLOOK MARTIAL ARTS READER Vol 2 edited by John Donohue.
Page 88
From “Abundant Peace” by John Stevens
“Morihei’s instruction was not systematic. He insisted, ‘Aikido has no techniques.’ That is, the movements are rooted in natural principles, not abstract or rigid formulas.”
Page 90
“Throughout his career, Morihei was constantly refining and expanding his art – ‘This old man must still train and train,’ he said not long before his death – and thus taught differently at different stages of his life. There is a definite continuum between prewar and postwar Aikido, but the techniques themselves evolved considerably. Morihei gave his students permission to film his techniques but warned, ‘Today’s techniques will be different tomorrow.” Hence, there is no standard Aikido; each of the direct disciples focused on those aspects he most readily understood and with which he had the most affinity, and then went on to develop an individual style based on his own experiences.”
Page 88
From “Abundant Peace” by John Stevens
“Morihei’s instruction was not systematic. He insisted, ‘Aikido has no techniques.’ That is, the movements are rooted in natural principles, not abstract or rigid formulas.”
Page 90
“Throughout his career, Morihei was constantly refining and expanding his art – ‘This old man must still train and train,’ he said not long before his death – and thus taught differently at different stages of his life. There is a definite continuum between prewar and postwar Aikido, but the techniques themselves evolved considerably. Morihei gave his students permission to film his techniques but warned, ‘Today’s techniques will be different tomorrow.” Hence, there is no standard Aikido; each of the direct disciples focused on those aspects he most readily understood and with which he had the most affinity, and then went on to develop an individual style based on his own experiences.”
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Of course Jorvik. It's like Any MA. You pick through what you think will work for you in a real situation and refine those first. Become proficient in what works, and then try to refine the more difficult technical techniques.Ben
It is a fun art...but there 'll come a time when you realise that a lot of the stuff, principles and all won't work on the street
I use shokens in my kata, but do I honestly believe I could down a foe with one???
“I use shokens in my kata, but do I honestly believe I could down a foe with one???”
This is a very good and honest question.
The answer is to find a few friends of a slightly crazy bent and try shokens out on each other at varying levels of power.
You will find how to best make a Shoken that is of practical use for YOU and how to use it.
When this is done you may still wonder if you can down anyone but, you will know that if you could, then you could do it with a Shoken.
This is a very good and honest question.
The answer is to find a few friends of a slightly crazy bent and try shokens out on each other at varying levels of power.
You will find how to best make a Shoken that is of practical use for YOU and how to use it.
When this is done you may still wonder if you can down anyone but, you will know that if you could, then you could do it with a Shoken.
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But when the rubber hits the road who knows?
I do believe though that I can train it and train it and one day I'll wake up with a shoken that can do some serious damage.
But when the rubber hits the road who knows?
I do believe though that I can train it and train it and one day I'll wake up with a shoken that can do some serious damage.
That is what I REALLY need.The answer is to find a few friends of a slightly crazy bent and try shokens out on each other at varying levels of powerLet me say that I feel a shoken can be used effectively.
I think the following video clip may illustrate Jorvik's point pretty well. The site is in French but:
http://www.aikidoquebec.com/Accueil.htm
Click on Vidéo Clips then check out the following...
Jyu Waza Suwari Waza
Not sure how well this would work if someone tried to kick him in the head instead of handing him their arm?
http://www.aikidoquebec.com/Accueil.htm
Click on Vidéo Clips then check out the following...
Jyu Waza Suwari Waza
Not sure how well this would work if someone tried to kick him in the head instead of handing him their arm?
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- Location: St. Thomas
Yep pretty lameClick on Vidéo Clips then check out the following...
Jyu Waza Suwari Waza
Not sure how well this would work if someone tried to kick him in the head instead of handing him their arm?
He's obviously not a very realistyic trainer huh? Training from seiza is pretty obsolite IMHO, but some of those techniques could be modified to serve a person in a wheel chair eh?
Painting all Aiki with that brush is pretty far fetched. I've seen some pretty lame excuses of prearranged kumites in my time... doesn't mean I'd judge an enire karate system by that. You find all different types everywhere. Jorvik studies a very martial Tai Chi, the people who teach it im my town learned through a correspondence sourse and kater to the elderly and the New Age crowd and see it more as a dance than a martial art....*****
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- JimHawkins
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In this pic it seems only the pressure of the thumb pressing down supports the pointy index finger and so I cannot fathom how great power, let alone max power could be used. Not saying you can't but I don't see how.
Despite the fact that WCK has shokens in the forms etc, we never trained them. Ip Man tossed them out of the system when he began teaching in Hong Kong and replaced it with the also existing Chung Choi or vertical fist leading with the bottom pointy knuckle.
I cannot fathom use of the shoken *for me* but I have played with it a little and never liked it and I cannot apply any great power with this fist. I was taught that the thumb goes in behind the index finger supporting it. In any case I cannot use max power with hardly any fist compared to a palm heel because with the palm heel there is nothing to break or flex and the shoken seems the least stable of all the fists, to me.
There is a different version of this pointy thing from a Korean Art where the index finger (same knuckle) is used but the first part of the index finger is straight and aligned with the hand, kind of like a trigger finger position. With this I can easily poke holes in boxes, etc but I do not train it for SD.
Shaolin
M Y V T K F
"Receive what comes, stay with what goes, upon loss of contact attack the line" – The Kuen Kuit
M Y V T K F
"Receive what comes, stay with what goes, upon loss of contact attack the line" – The Kuen Kuit