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Bill Glasheen
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Post by Bill Glasheen »

I'm a reluctant performer, Marcus. I'm happy to fill needs such as getting the Fuzhou Suparinpei digitized so folks could go home and have something to work off of. I'm even trying to get the same done with Tsuzenshitahaku no sai because there appears to be an absolute need with everything else being out of print. But having my Sanchin taped for dissection feels a bit funny - particularly when there are so many great examples around. It makes me wonder what the fuss is about.

Someone taped my kata at my nanadan test. They exist somewhere. I don't mind that at all.

If I was to look at my Sanchin from my last test, I'd see that I don't do it that way any more. There's stuff I'm working on now. I am in transition. When doing that, things often get a lot worse before they settle and get better. I've been through many cycles of that tear down and build up. That's the fun of it for me. Freezing what I do in time doesn't really show where my head is at. It's like trying to take a picture of a car moving without showing a blurred background, and capturing that movement in still photo.

But you could come to camp and watch me do Sanchin, Marcus. Hundreds have seen me stepping and striking half-asleep at six friggin AM to George's count. Nothing flattering, and nothing left to the imagination ;)

As for making the Fuzhou Suparinpei "free" because the research needs to be done, well I think your position is a bit weak. I've worked in academia and done the research thing. To start with, I don't get a profit from the selling of that DVD, nor do I want it. I do it as a service to the man who was kind enough to be my teacher and provide us all a place to entertain each other. "The house" needs a few bucks to keep the lights on and the doors open. And when I was doing research, we folks in academia still needed money to make things go. We got discounts from industry (hardware and software companies, medical equipment companies, etc.), but we still had to pay and we still took good care of what we had. As a matter of fact, getting things for free wasn't totally unheard of, but one risked an appearance of impropriety when involved in that way.

I understand when the bucks are tight, Marcus. If folks need something, they can always ask.

- Bill
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Bill Glasheen
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Post by Bill Glasheen »

Jim

I like your use of the word "DNA" to describe kata connections. That metaphor has been running around in my head for weeks now on this whole subject. It totally fits in a way that a science geek (such as your truly) can appreciate.

I got to thinking about controversies on the origins of homo sapiens, and how difficult it has been to put the historical tree together. Every so often we find another homonid fossil, and our whole paradigm of human evolution needs to be reworked a bit. Finding out how homo sapiens, homo neanderthal, and homo erectus fit in with all the other variations and precursors can be a daunting task. And then you get these interesting theories about how these separate "species" may actually have interbred in the migration of homonids out of Africa. That complicates the picture enormously.

If we think of China as the source of most of this "kata DNA" in the way that Africa was the source of most if not all "human DNA", then the parallels in evolution are fascinating to consider.

- Bill
Stryke

Post by Stryke »

As for making the Fuzhou Suparinpei "free" because the research needs to be done, well I think your position is a bit weak. I've worked in academia and done the research thing. To start with, I don't get a profit from the selling of that DVD, nor do I want it.
It`s not weak at all just a request , surely someone in the Uechi world knows this kata and is interested in sharing information .

If you dont care about money then I dont see the issue .

It has nothing to do with money being tihgt , just the norm , I have hundreds if not thousands of kata clips in my research library , if I payed for them all i`d be bankrupt .

as for coming to train with you Bill , your not the holy grail , would you spend maybe 10 grand to go train with someone who wasnt interested in sharing information ?

I`ll happily agree to disagree on this one , I have time , the kata will surface .

you comparison to research in the medical feild is prepoterous , you didnt discover it , you didnt develop it , you where given it .....

it`s got nothing to do with the best interests of the art .
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Bill Glasheen
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Post by Bill Glasheen »

Marcus wrote:
you comparison to research in the medical feild is prepoterous , you didnt discover it , you didnt develop it , you where given it .....
Actually not exactly. I paid full price out of my pocket to go to camps where I got to work with Simon. Had Simon been a guy down the road who was a martial artist, I probably either would have worked out a trade or paid him a few bucks for his trouble.

Understand, Marcus, that I do martial arts nonprofit. I can hardly be accused of grabbing for dollars. However I've always been congnizant of the people around me, and what makes it possible for them to produce. In the gym where I teach, I allow them to charge people to get in the front door so we have a nice place to train. For all George's camps, I insist on paying full price so George can keep giving them (and I teach as well). When we have a regional and we get a guest instructor from somewhere, I contribute to the kitty so at least the plane flight is covered. When we go out to a restaurant afterwards, I make sure the waiter or waitress is generously tipped.

I get professional courtesies from time to time, but there's always a quid pro quo. I don't accept where I am not giving.

This is a long tradition in Okinawa. Even when teachers didn't ask to be paid, it was customary to leave an envelope with something in it on a regular basis. In my dojo I ask people to help teach. In Boston when Bobby C was a kid and didn't have money, George had him water the artificial plants. (I kid you not...)

We can always make exceptions and work things out for individuals, Marcus. Nobody expects you to pay $10K in travel fees to learn what others can get for orders of magnitude less. But unless we treat people like the professionals they are, we won't get professional results.

I had a similar discussion with another person who frequents these forums about pirating music. Somehow this individual couldn't see why he didn't have a right to all the free online music he could pull together. Meanwhile, others respect and contribute to "the creative process" in ways that make good music available to us all.

Pirating DVDs and passing the material around isn't being very kind to the people who provide us with these services. And we won't have much of a Uechi organization if we can't create a decent life for people who want to make a career out of it. It's the big picture I'm arguing for, Marcus. Think about what makes it possible for you to have all this fun. Find ways to learn, yes, but find ways to contribute as well. That's all anyone is asking.

And there is always the "quiet discussion" offline. There are more good hearts around here than you can shake a Filipino stick at.

- Bill
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JimHawkins
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Post by JimHawkins »

In case someone has not seen it.. Bill doing Chum Kiu, I mean Suparempi. ;)

Image

http://fileserver.uechi-ryu.com/videos/sample4.wmv

Some very similar elements as found in Chum Kiu wonder where they came from..
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Post by mikemurphy »

Bill,

A little defensive are we?


<Let's start with the following obvious point that needs to be called. I know of no gentleman by the name of "Mr. Lahey." Mr. Campbell repeatedly refers to a gentleman by the name of Mr. Lahey. Lahey most definitely is a valid name; it exists in my phone book. However nobody other than Mr. Campbell has spoken of anyone by this name in this thread. So this begs the following questions.

1) Is Mr. Campbell confused, or perhaps not a very good typer? It happens; been there, done that. SpellCheck isn't going to be much good here.

2) If Mr. Campbell is not confused and intentionally spelled this name in this manner, then what's up? Is this an individual nobody has yet referred to in this discussion or is there a reason why Lahey does not look like Lailey when push comes to shove?>

Isn't this little nudge a bit below you? You certainly know who sensei Campbell meant. There was no need to sink to this patrinization.


<Originally posted by Mike Murphy

Personally, from the history I have seen, if there is a superempei in our style, it hasn't been found yet.
--------------------------------------------------------------------------------


You too, Murphy Sensei. You're the school teacher; you have no excuse! Share your "history" with us. >

Did you read the line at all? It says from the history I've seen. This goes to 30 years in Uechi and the reading of many of the same people you have read (from Uechi backgrounds or not). Do you require a list of them Bill? I don't believe I shall offer any excuses for such a simple statement to understand. Obviously, this is opinion and extremely subjective, as this entire topic is.

<Gentlemen if we want to discuss history and challenge the conventional wisdom, well do it right or go home! Nobody here is afraid of a little paradigm shift. But there will be no shifting if there are no facts or data to consider.>

What are the hardcore facts that you refer to in regards to Kanbun Uechi and the allusive 4th kata? Inquiring minds want to know.


<Originally posted by Mike Murphy

Darin Yee sensei shows different Chinese forms all the time in which he shows me the "Uechi" in them.
--------------------------------------------------------------------------------


First... Darin's a good man, and we often think alike. Second... I can show you Uechi in both aikido and Wing Chun. But in doing so, I would never pretend to think that they came from a common origin that is close by in history.>

This is what I'm talking about. You can make anything "Uechi" if you like. What does that mean, that everything is of Uechi history? I don't think so.

<I don't recall you being in any of my Fuzhou Suparinpei classes, Mike. If you had, I would have shown you the many similarities between this form Simon taught me and "the big three" of Uechi. I would also have shown you a couple of moves that are only in the "bridge" kata of Uechi Ryu, and challenge you to think about where those "new" Uechi moves came from. It doesn't prove anything, but it does make the mind race a bit. >

Do you recall all of the students you have taught at the summer camp? Sorry to correct you Bill, but I was there at several of your sessions and ran through the entire thing. AND, you did show the class what you considered similarities. To be honest with you, I didn't buy it then, nor do I buy it now. That's no insult to you Bill. You believe what you want and I'll believe what I want, but don't expect to sell the entire Uechi world on what you consider to be these similarities to be. Just my opinion here.

<I would also be happy to teach you Tsuzkenshitahaku no sai and Hamahiga no tonfa. And I'd be happy to show you "Seisan" ideas throughout those two forms. (It's one reason I teach them in my class.) And we all know that these both are very old, classic kobudo forms. >

Once again, my point. You can find anything you wish to find if you look hard enough. I could find you good Uechi in my jujitsu, or just in good grappling. I could show you good Uechi in Iaido, Kendo, or Judo. It just doesn't mean that much in the long run when you are speaking of style-specific history.

<Originally posted by Mike Murphy

if there is a superempei in our style, it hasn't been found yet.
--------------------------------------------------------------------------------


Had you taken one of my Fuzhou Suparinpei classes, Mike, you would have known that I agree and therefore your statement was not necessary.>

Sorry Bill, but I don't remember you saying that, but I'll ask the three or four students of mine who also attended it and see if they remember.

<As I repeatedly discuss when teaching this form, Simon tells me that there is a core form that most people more or less follow. However individuals in the class (as Simon related) often did their own versions, and the master really never objected very much. This is very much like the PRC crane master that George brought to Thompson Island circa 1985. That man did his crane form different every time he did it, and I saw him demo it perhaps a half dozen times through the camp. He taught us a skeleton, but he never did his form this way. >

There is also the possibility that the man was not that good. Maybe he kept forgetting it? It's possible. Bill, as a researcher, you would have to accept this as a possibility, wouldn't you? Just how well did you know the man and his practice? I would question you using him as a source.

<IF and ONLY IF the form I teach somehow can be connected all the way back to the same Suparinpei that Kanbun allegedly saw in China some time between 1897 and 1910, well the likelihood that I am doing it exactly like the way Kanbun saw it is the same likelihood that George is wearing pinstripe suits and riding around with a tommy gun. >

The key word is "allegedly," but I do agree with the rest.


<If that is true, then some critics of "Mr. Lahey" have some explaining to do.>

Once again, bad form and bad taste. You are better than that Bill.

mike
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Bill Glasheen
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Post by Bill Glasheen »

Mike

It's a little difficult to get through your post, and I believe you may even have some duplications. I do want to give your input serious consideration. Any chance you could edit it? The use of the "quote" button is helpful.

- Bill
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Post by Bill Glasheen »

Mike

As for Mr. Campbell, well those comments were meant for his post. If he chooses to address them, that's fine; if not, that's fine. I probably should have created two separate posts. My bad...

Given some very subtle but extremely important issues here, I would prefer you not speak on his behalf. I have the greatest respect for Bob both as a person and as a martial arist. Bob knows that. "Patronizing" has absolutely nothing to do with the activity involved here.

- Bill
Willy

Post by Willy »

I understand when the bucks are tight, Marcus. If folks need something, they can always ask.
Ask for ten grand. :multi: :lol:
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Bill Glasheen
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Post by Bill Glasheen »

:lol:
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Post by RACastanet »

Mike: As I follow this thread I must agree with Bill that following your last post was difficult.

Otherwise, keep going...

Rich
Member of the world's premier gun club, the USMC!
Stryke

Post by Stryke »

Your missing the point Bill , you have no intellectual rights to this kata , all your selling is the distribution of something not inherently owned by anyone . It may have cost you a few dollars in your pursuit but you did not buy any rights just instruction .

I am not after instruction just the pattern .

I have no problem buying the katas pattern , however for wider research that is practically useless , for me to get comment and knowledge from other researchers it would require distributing copy , I unfortunately am not a pirate like the person you had the music discussion with .

Would The IUKF permit such distribution under any kind of contractual agreement that did not entail hundreds or thousands of dollars ? , and more so would it be ethical ?

And the fact is until established I do not have the time to purue yet another kata . Sanseiryu Is my next battle , and thats enough for many years .. and not quite yet .

I in no way am implying you get anything financial from it Bill , mine was a simple request , to provide the form for general dissemation .

I actuall;y would like anyones version of it .

In your opinion is anyone entitled to share this form if they know it ?

would there be any repercussion if one did so ?

are you attempting to monopolise the distribution of this in video ? is the material copyright ? , the kata or just the said performance ?

I`m not trying to be picky here , but this is important if we are to approach this on the proffessional level your requesting .

any lawyers on board ? , would such a form be public domain ?

as for not treating you like a proffessional , I beleive I`ve been very courteous and clear in my reasons why i`d want a distributable version from someone .

To call those reasons weak is your personal opinion , I am a very amatuer researcher , but my intent is genuine . I agree to disagree however I`ll make no judgement on your intentions however easy it could be .

if my interest in karate was narrower perhaps I could just learn and perform this peice , however I would prefer to research it prior , and that entails trying to find as many similar forms and links and possible . A task I apprach with several kata .

I respect the IUKF right to sell and distribute any footage they see fit .

I`m just politely requesting anyone who knows this form send me a unburdend copy for research and comparison .
Find ways to learn, yes, but find ways to contribute as well. That's all anyone is asking.
I`d contribute by freely sharing any information gathered .

each to there own ...
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Post by benzocaine »

FWIW

My friend study's Emperor's long fist, which is what they call a closed system.

No one is allowed to videotape their forms, and a good deal of money has to be kicked up to the Grandmaster. My friend pays 60 USD an hour for private instruction.. I guess he has attached that value to it.

Right now if you want to learn Bill's Suparempai, it is "closed".. or a fee must be paid to IUKF for the video. Value has been attached to it.

Also FWIW, I am dying to see it. And even if it turns out to not be directly related to Uechi... so what? If it gets you to explore the same principles of Uechi,well, that's great.
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Post by Bill Glasheen »

Marcus wrote:
In your opinion is anyone entitled to share this form if they know it ?
Yes. I want those who learn it from me to pass it on.
Marcus wrote:
are you attempting to monopolise the distribution of this in video ? is the material copyright ?
The video is copyrighted, Marcus. It took several people several years of filming in an number of venues to put it together. The individual who shot the video is a professional who makes a living doing what he did. Mr. Jackson deserves to be able to put food on the table for his effort. Without him having a way to make a living, I wouldn't have had the opportunity to benefit from his professional expertise. I already know I ****** at filming. I tried doing this myself. I'm glad I finally turned it over to someone who does it for a living.

And Bill Jackson has a right to make that living, Marcus.

And the keeper of this forum you use to make your point has a right to make a living.

And if we are going to preserve this style in any quality way, then the Khourys and Murphys and Derderians and other professionals of the Uechi world have a right to make a decent living.

When I was going through school, Marcus, I had to pay good money for each and every textbook I learned from. Engineering and medical texts started at $100 and went up from there. I often had half a dozen books or more per semester that I had to buy. It took me years to pay off all the loans I needed to take out to buy those books and pay tuition, but I eventually did.

Generally in academia, even the copy centers (Kinko's here in the states) know not to photocopy books. The law is pretty firm on that. There are special conditions where this can happen, such as a book being out of print and otherwise unavailable. But if it could be purchased, then the students were required to buy it out of pocket. No book? Good luck. Copy it illegally? The copy centers would not do that, lest they lose their ability to conduct business.

Nobody will stop any smart engineer, physician, or health science researcher from writing his own textbook. There's no copyright on the intellectual knowledge. But actually putting such a book together requires quite a bit of work, and many people can benefit from that work. It makes sense (to me) to create a social process where those who make information available to others through great effort on their part get rewarded for their efforts. Without such incentives, we all lose in the end.

Again, Marcus, I am making this argument on behalf of others. I donated my services to the good of the style, and those who help maintain it on a professional level.

- Bill
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JimHawkins
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Suparinpei (Tetsuya Furukawa, JKF Champion)

Post by JimHawkins »

I think it's cool if Bill wants folks to buy the DVD from GEM's store--hell that's what it's there for..

Here's Tetsuya Furukawa bustin out the GoJu version... :)

Quite different no? Looks a bit like Sanseiru.

http://www.gojuryu.neu.edu/video/1998JKFSuparinpei.WMV
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"Receive what comes, stay with what goes, upon loss of contact attack the line" – The Kuen Kuit
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